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Luke Combs’ “Days Like These” (SMN/Columbia) extends his streak of heartfelt country anthems, resonating with fans nationwide. His ability to pair relatable storytelling with stadium-ready choruses continues to define modern country’s mainstream appeal. Dustin Lynch’s “Easy To Love” (Broken Bow) adds breezy, radio-friendly charm, a reminder of how lighthearted tracks can balance the format’s heavier themes. Greylan James’ “Water At A Wedding” (Nashville Harbor) delivers vivid storytelling, painting cinematic scenes that showcase the enduring power of narrative-driven songwriting. Together, these tracks highlight the strength of both traditional and modern country sounds climbing the charts.

Carly Pearce’s “Dream Come True” (Big Machine) highlights soaring vocals and emotional depth, cementing her reputation as one of the genre’s most expressive voices. Shinedown’s “Searchlight” (Atlantic) injects a rock edge into the format, demonstrating how AC40 and country audiences alike are embracing diverse influences. Alexandra Kay’s “Straight For The Heart” (Wheelhouse) blends sincerity with powerful delivery, further proving that authenticity remains the cornerstone of country’s appeal.

Megan Moroney’s “Beautiful Things” (SMN/Columbia) continues her rise with relatable lyrics and warm delivery, positioning her as one of the most promising new voices in Nashville. Nate Smith & Tyler Hubbard’s “After Midnight” (SMN/RCA) pairs two strong voices in a dynamic collaboration, while Jordan Davis’ “Turn This Truck Around” (MCA Nashville) adds upbeat energy that feels tailor-made for radio. Ashley Cooke’s “the hell you are” (Back Blocks/Big Loud) delivers bold confidence, Josh Ross’ “Hate How You Look” (Core/UMC/Mercury Nash) blends vulnerability with modern production, and Kelsey Hart’s “Fireworks” (Curb) adds celebratory spark. Each track demonstrates how emerging voices are shaping the future of country radio with fresh perspectives and fearless storytelling.

Lee Brice’s “Killed The Man” (Curb) showcases his trademark emotional depth, reminding listeners why he remains a staple of the format. Morgan Wallen’s “20 Cigarettes” (Big Loud/Mercury/Republic) adds gritty realism, continuing his streak of raw, unfiltered narratives that resonate with fans. Old Dominion’s “Making Good Time” (SMN/Columbia) brings polished harmonies and upbeat charm, reinforcing their reputation as one of country’s most consistent hitmakers. Tiffany Haseker’s “The Sun Is Shining” (Radiant Dragonfly Music) radiates positivity, Rob Georg’s “Last Call” (Coast) adds grit and authenticity, and James Younger’s “It’s Christmas” (James Williams Music) brings seasonal warmth. These independent voices prove heartfelt songwriting and originality can break through alongside major-label acts, enriching the format with diversity.

Tommy Rice & Michael Lusk’s “The Love Of My Life” (Tommy Rice Music) offers timeless romance, a ballad that feels both classic and contemporary. Buck McCoy’s “Paris Texas Man” (Weir Brothers/Virgin Music Group)—featured in Netflix’s The Wrong Paris—marks a breakout year, showing how multimedia exposure can propel artists into new territory. These successes highlight how diverse platforms and storytelling are helping artists carve their place in country radio. And closing out 2025, Corey Kent teams with Kent Wetzel for “Rocky Mountain Low” (SMN Combustion RCA), a smash single with all the makings of a true #1. With country radio responding enthusiastically in the final weeks of the year, it’s a fitting reminder of the genre’s strength and resilience.

This post was originally published on this site.

Luke Combs’ “Back In The Saddle” (SMN/Columbia) is already a massive hit, with radio stations across the country praising its catchy melody and signature Combs charm. As one of country music’s biggest stars, his music always resonates with listeners, and this track is no exception—program directors are reporting growing requests for the song. Riley Green, along with E. Langley on “Don’t Mind If I Do” (Nashville Harbor), has struck gold with this feel-good anthem. The song blends classic country vibes with a modern twist, and radio stations are loving its infectious hook and fun lyrics. Fans are already flooding social media with praise. Megan Moroney’s “6 Months Later” (Columbia) is a heartfelt, emotional ballad that has taken country radio by storm. Moroney’s unique blend of storytelling and raw emotion is earning her rave reviews from music directors and a rapidly growing fanbase, ensuring the song’s success in both requests and spins.

Morgan Wallen’s “I Got Better” (Big Loud/Mercury/Republic) is skyrocketing on the charts and taking country radio by storm. Wallen’s unmistakable voice and relatable lyrics are resonating with listeners, and radio stations are already reporting high engagement, with requests pouring in from fans. Kelsey Hart’s “Fireworks” (Curb) is another song making serious waves on country radio. The track combines explosive energy with heartfelt lyrics, making it a perfect addition to AC and country playlists. Radio directors are excited about her fresh sound, and listeners are responding with enthusiasm. Gavin Adcock’s “Never Call Again” (Warner Nashville/WMN) is steadily climbing the charts, thanks to its authentic country sound and Adcock’s distinct voice. The song’s mix of melancholy and grit is striking a chord with fans, leading to strong requests and solid airplay on country stations nationwide.

Brandon Lake & Jelly Roll’s “Hard Fought Hallelujah” (Lyric Ridge/Essential/PLG) is rapidly gaining traction at country radio. The collaboration between Lake’s gospel-infused sound and Jelly Roll’s raw, country-rap style is captivating listeners, and radio stations are seeing increased engagement and listener interaction with the track. Turnpike Troubadours’ “Heaven Passing Through” (Bossier C/Thirty T/Akando) is a standout track on the country scene. Their signature blend of Americana and honky-tonk is striking a chord with country fans, and radio stations are playing it frequently due to strong listener requests and positive feedback from program directors. Justin Moore’s “Time’s Ticking” (Valory) is another song that’s been getting rave reviews from radio stations. Moore’s blend of traditional country and contemporary energy has made the song a favorite on the airwaves, with its relatable lyrics about life’s fleeting moments resonating deeply with audiences.

Lauren Alaina, featuring Chase Matthew on “All My Exes” (Big Loud/Mercury/Republic), is quickly becoming a country radio sensation. The chemistry between the two artists is palpable, and the song’s catchy chorus and relatable theme have made it an instant hit, especially among younger country listeners. John Morgan’s “Kid Myself” (Night Train/Broken Bow) is making serious waves in the country scene. The raw emotion and powerful vocals in the track have resonated with country fans, leading to strong radio play and social media buzz. Program directors are praising the song for its authenticity. Kelsea Ballerini’s “Baggage” (Black River Ent) has earned rave reviews from country stations, who are loving its honest lyrics and relatable themes. Ballerini’s ability to mix pop sensibilities with country roots has made this track a strong contender for both radio spins and fan requests.

Independent artists are also making their mark on country radio. Tommy Rice & Michael Lusk’s “The Love Of My Life” (Tommy Rice Music) is earning praise for its beautiful songwriting and classic sound. The heartfelt ballad is connecting with fans in a very big way. Wrangle-Up! featuring James Dunlop’s “Wrangle-Up!” (Wrangle-Up Records) is a breakout indie hit that’s gaining attention in the country scene. The high-energy, foot-stomping anthem has become a radio favorite, with fans requesting it regularly and stations reporting strong engagement. Buck McCoy’s “Paris Texas Man” (Weir Brothers), featured in the Netflix film The Wrong Paris, is gaining significant momentum on country radio. If you don’t believe it all you have to do is ask me and I will set you straight.